Women employed in his workroom sang in the ensemble and the robes are still worn by the choir today. The designer was asked to create a robe for the Spanish choir Orfeón Donostiarra in 1945 and redesigned the white tunics in 1964. More unexpected and slightly haunting is the faintly lit row of mannequins wearing choral robes designed by Cristóbal Balaenciaga in the Medieval Sculpture Hall’s balcony. A gold metallic Rodarte dress inspired by the Bernini sculpture “Ecstasy of Saint Teresa,” a Cristóbal Balenciaga evening dress with a Madonna veil and Roberto Cappucci’s “Agel D’Oro” dress are housed in the Robert Lehman gallery. Many were raised Catholic but are no longer practicing, according to Bolton, who only mentioned his Catholic upbringing and “still a believer” status in passing. Vandervorst and Rodarte are among the designers featured in the show. Rick Owens, Ann Demeulemeester, Lanvin, Cristóbal Balenciaga, Viktor and Rolf, Thom Browne, Chanel, Yves Saint Laurent, Maria Grazia Chiuri and Pierpaolo Piccioli of Valentino, Riccardo Tisci, Madame Grès, Thierry Mugler, Roberto Capucci, Valentina, Dolce & Gabbana, A.F. I find that really fascinating - how faith has created such extraordinary works of art, whatever it is.” To reflect on their own faith and whether that has impacted their own creative development and whether that generates or fuels one’s creative development.
That is what I would love people to come away with. I think that one’s faith, no matter what faith you adhere to, generates an extraordinary creativity. Gesturing toward a chasuble of Pius IX, which took 15 women 16 years to embroider, Bolton said, “It’s better than anything you see in the Lesage atelier in Paris. Pusha T, Futura, and More Attend the KENZO By Nigo Launch Party
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